Sangatkar:
Tabla: Ramdas Palsule
Harmonium: Suyog Kundalkar
Tanpura: Anuradha Patwardhan, Madhura Gadre
Savani started her performance with raga Puriya Dhanashree (bada khyal
in vilambit Ektaal - kesar rang sham chhayi, chhota khyal in drut
Ektaal - tore jaya jaya karatar, tarana in drut Ada Chautaal).
Savani has a beautiful and tuneful voice. The ragavistaar during
vilambit khyal was systematic, elaborate and quite laydaar. Tara
shadja was sung with a lot of power. Taans were well thought and well
executed. Tarana was packed with a lot of power.
Savani continued her performance with raga Hemant (bandish in
madhyalaya Ektaal - chalo sakhi aao aao)
Savani concluded her concert with an abhang - bolava vitthal karava
vitthal jivabhav)
Suyog Kundalkar and Ramdas Palasule provided very good tabla and
harmonium sangat respectively that included many excellent solo
pieces.
Overall a memorable performance.
- Bansuriwala
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Sent from my mobile device
The vilambit ektaal bandish and the tarana in Puriya Dhanashree were composed by Savani herself. Savani announced that the madhyalaya bandish was a traditional composition attributed to Tansen. The bandish in Hemant was composed by Savani's grandmother Late Smt. Kusum Shende.
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